{"id":106,"date":"2022-01-27T09:03:14","date_gmt":"2022-01-27T09:03:14","guid":{"rendered":"http:\/\/sage.inoe.ro\/?page_id=106"},"modified":"2022-01-31T14:33:02","modified_gmt":"2022-01-31T14:33:02","slug":"sage-studies-in-contemporary-art-ageing-journal-vol-2-june-2020","status":"publish","type":"page","link":"http:\/\/sage.inoe.ro\/index.php\/sage-studies-in-contemporary-art-ageing-journal-vol-2-june-2020\/","title":{"rendered":"SAGE Studies in Contemporary Art Ageing Journal, Vol.2, June 2020"},"content":{"rendered":"<p><strong>CONTENT<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tr>\n<td>\n<h5><strong><a href=\"http:\/\/sage.inoe.ro\/wp-content\/uploads\/2022\/01\/1.M.-Geba.pdf\" target=\"_blank\" rel=\"noopener\">BRIEF CONSIDERATIONS ON THE PRESERVATION OF CONTEMPORARY RELIGIOUS ART  <\/a><\/strong><\/h5>\n<\/td>\n<td style=\"vertical-align: middle;\" align=\"center\" rowspan=\"2\">     2<\/td>\n<\/tr>\n<tr>\n<td>\n<p style=\"font-size: 12px!important;\">Maria GEBA<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h5><strong><a href=\"http:\/\/sage.inoe.ro\/wp-content\/uploads\/2022\/01\/2.V.-Atanassova.pdf\" target=\"_blank\" rel=\"noopener\">CHALLENGES IN CONTEMPORARY ART CONSERVATION<\/a><\/strong><\/h5>\n<\/td>\n<td style=\"vertical-align: middle;\" align=\"center\" rowspan=\"2\">     4<\/td>\n<\/tr>\n<tr>\n<td>\n<p style=\"font-size: 12px!important;\">Victoria ATANASSOVA<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h5><strong><a href=\"http:\/\/sage.inoe.ro\/wp-content\/uploads\/2022\/01\/3.L.-Ghervase.pdf\" target=\"_blank\" rel=\"noopener\">PRESERVATION TREATMENT OF MODERN STORAGE MEDIA<\/a><\/strong><\/h5>\n<\/td>\n<td style=\"vertical-align: middle;\" align=\"center\" rowspan=\"2\">     8<\/td>\n<\/tr>\n<tr>\n<td>\n<p style=\"font-size: 12px!important;\">Luminita GHERVASE, Ioana Maria CORTEA<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h5><strong><a href=\"http:\/\/sage.inoe.ro\/wp-content\/uploads\/2022\/01\/4.Ed-board.pdf\" target=\"_blank\" rel=\"noopener\">EDITORIAL BOARD<\/a><\/strong><\/h5>\n<\/td>\n<td style=\"vertical-align: middle;\" align=\"center\" rowspan=\"2\">15<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>CONTENT &nbsp; BRIEF CONSIDERATIONS ON THE PRESERVATION OF CONTEMPORARY RELIGIOUS ART 2 Maria GEBA CHALLENGES IN CONTEMPORARY ART CONSERVATION 4 Victoria ATANASSOVA PRESERVATION TREATMENT OF MODERN STORAGE MEDIA 8 Luminita GHERVASE, Ioana Maria CORTEA EDITORIAL BOARD 15<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/pages\/106"}],"collection":[{"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":10,"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/pages\/106\/revisions"}],"predecessor-version":[{"id":145,"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/pages\/106\/revisions\/145"}],"wp:attachment":[{"href":"http:\/\/sage.inoe.ro\/index.php\/wp-json\/wp\/v2\/media?parent=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}